Friday, 13 June 2014

Awakenings in the Dark World (Poetry)







Awakenings in the Dark World


by Shahinur Islam



(To
My brothers and sisters—

Md. Shahidul Islam
Md. Shaifur Rahman
Mst. Sherin Begum
Md. Shafikul Islam
Mst. Rikta Begum
Md. Salim Mia
Mst. Nasrin Akter)



Yet Another

Under this sky there is yet another one
that is variably coloured and placed closer.
You just couldn’t get lost in its moon and stars;
that is why its sweet songs are played somewhere else.

Excluding all seas there is yet another one
which overflows when it cries.
You just swam in the water of all seas
but didn’t know they were full to the brim with its water.

Close to this land there is yet another one
where harvest grows, and flowers blossom.
You just didn’t farm flowers as you wish;
so you went on blundering with all its sun and rain.




Across the Body of the Night Catching Fire in her Blood

Across the body of the night
that catches fire in her blood
there will be no more cold rainfall—
and she knows it.
In the hot wind of the burnt mind,
there will blow in more and more fire
only in the flickering flames.
Her soul then will rush to and fro
as ants are washed away by flood;
yet she will find no safe haven
anywhere just to place her soul.
At this hour who will look for her
and take her closer to his breast
with the hands extended to her
so as to rouse her expectations?
It appears to her the darkness
that is ignited in despair
is much more unendurable
than her death even.
Let the whole world know it—
not any heart ever longs
to be lighted in the heated light
of the burning season.
So the heart of the night values
her darkness above such a light.




The Engrossed Body of the Undressed Night

Look at the engrossed body of the undressed night
how the gentle wind touches the ice-heart,
and how it climbs the butter-tender domes
and how two desires meet up at their peaks.
And when the fragrance of granite becomes strong,
the spoiled heart forgets its sorrowfulness
and longs to be spoiled in more fragrance.
In this state of adequate happiness
it seems to be immersed and die.
Such a death rouses another thirst
in the parched breast of the earth.

However much the two desires are met at their peaks,
the trap of god has never been known to have failed;
this ascent and descent go on
with showers of sparks life-long.
They just stop once for all
when shrouded in white dress
and numbed by powerlessness.



Beyond the Scene

The life that roams about beyond the scene,
beyond the limitless bank— in the dark
lays eggs and in the womb of the night brags
to see the baby of the golden age;
the life that puts aside days and adores
or still prays for nights, is uncaught lifelong,
a bait of cheats, a colourful cover—
which holds the cosmic darkness, the black hole.
It’s magic from the scene for the unseen.
The greed for unseen life snatches the youth
offered in cash in the grove of honey;
the lovers of the city just come back
with naked hands and sink into the dark
in the unbearable and painful nook.
Then that life makes no difference with that
which goes on with worshiping the darkness.
Such a life is for all time a blossom
unsmelt, untasted and pale in neglect
before it gets withered eternally,
a bath in the puddle of the vast sea
despite its having a pool of water.
Then who is this discolored life lent to
and which rule is laid down to suffocate
and pulverize it between the grinders?




Pleasure-fasting

There is no room left for the ruined body
in our family and our society;
everyone in society longs to live
in possession of the virtuous body
where there is no worth of the ruined body.
Yet there is overdoing with the ruined mind
with which the invalid society now
has unceasing intercourse with no qualms.
But the ruined body bears no worth to man;
yet it is much better than the ruined mind
in its giving of the silent pleasure,
in the songs of all the hearts pressed and ground
by society, in the flood of sorrow
that is sunk at its overflowing bank
while the ruined mind remains only busy
hurting, is set to break mosques and temples,
and to trample over the gardenia
that is come into bud with much effort.

There is leftover odor smeared over
the malnourished body— and it disturbs
the nose of society that is patched up,
but the malnourished mind nourishes it
and does vaunt in the fashion of values.
Sickness never spares this pleasure-fasting
society anyhow where it does rule,
and where even the moonlight is a curse—
virtue lives at its feet and sin on heads.




For the Golden Sun

The night is pregnant with darkness
just to smell the fragrance of light.
One day she embraced the sun’s breast
and was happy for that moment.
She was not her when her body
trembled and was hot in petals
of heart— when the sun went away
to the summer solstice
in the stillness of the late afternoon
and in the bashful solitude,
far away from the multitude
she kissed his eyelids at the bend
of the farthest horizon.
Now she is tired of carrying
the embryo of that pleasure;
so the moments of waiting play
as constant ding-dongs in her breast,
in her visage and in her eyes
in the wrapper of the new pains.
Yet in the beckoning of light
beyond this agony again
her heart just becomes pacified.
In the coming dawn she will bear
the new golden sun from her womb
during this burning season.


The Deer Live in Vain

This world doesn’t hold always good time for deer;
the deer live in vain for greed of green grass
that gives their body healthy nourishment
and makes a heady aroma of it
and exerts a pull on the deadly smell
of the hostile tiger like a magnet.
They aren’t tiger-charmers but easy prey.
They’ve no inhuman weapons like humans;
they’ve no fatty, slow-working, secret tools
that can avenge their enemies like beef,
or no fish bones like chital that can sting
and pinch the throat of man after its death.
Yet the deer live in vain thinking their life
as invaluable as anything.
They just get trapped in mantis deception
of leaves for all time— and in the cover
of deception— Death draws in tiny tints
the dotted spots all over their body.
Yet their desire to live is undying
and eternal— however frivolous
their life is in the world,
or poisonous in a twinkling.

The deer make the scenes of the world pretty
and raise the spirits in all its forests;
everyone lives on the borrowed fragrance
of their burnt hearts. Yet the deer for themselves
live in vain. For the alluring grasses
they sell well their own life gratis to death.
So the deer live in vain;
the deer still have a dance in vain
to the steps, tempos and crescendos of green.



Waiting

As the earth moves round the sun all day long
and at last goes for an assignation
holding the outstretched hand of the twilight,
and finds out that her heart is still beating;
as she is impatient over again
in the night to meet the dawn stealthily
before all the lives of the world wake up,
so we are passionate and impatient
all of the days and nights of our whole life
only to embrace the darkness in light
and the light in darkness in the desire
like gravity force of the universe.
If that desire is abruptly eclipsed,
all the hopes are covered with deep dark clouds,
we acquiesce in pangs of that eclipse
tucking our soul into the sludge of life
with patience of the busy pond-heron.
We’ll meet again at the end of darkness
that splits open out of the breast of dawn.
Then we’ll only talk in a long silence
when the Jamuna of our halting words
that are suspended so far in our life,
merely merges into the estuary;
and then all the currents of our feelings
will do build up a foam-covered ocean
where we can spend at least some of our time
swimming and diving, jumping and plunging
in watery happiness— we’ll divest
of airy, acrid touch and land-grown pain.
Like the earth, we still move about and wait.
                            
                                                                                                   

Opium Addict

Our ancestors who took opium
given by others, and gave up
their own narcotics for the sake
of existence or mirage-greed
that made them trade over again,
look back only and feel the light
of moving as will o’ the wisp;
and that drunkenness still makes you
move against from top to bottom
and makes itself a scale for you
to gauge all men in your values
that are born-blind, primal and false.
You still look for medication
for all troubles in that opium,
and we living in the margin
are thrown away then to the edge—
farthest— sometimes to the dustbin.

That time is perhaps yet to come
for people living on the edge
when all the power of the centre
budges to the fists of their hands,
when they can live in their own time.
So the plowing of the good time
this time is made in the hard times
and the fertile land is just proved
to be infertile, sterile one.
Yet you don’t want to accept it—
the seeds with insects never yield
the bumper crops; but in the soil
of gold-yielding alluvial plains
you’re still sowing the opium seeds.




The Whirlwind

In the whirlwind does fly the heated sand
of life when the wind lets out a long sigh;
but its desire was to fly as a bird
or as a butterfly from tree to tree,
from flower to flower. But alas! When it flies off,
it stumbles again on the heated sand—
on the sand emerged from spending its life
and the defiant desire impedes only
the tempo and pace of the rest of life.
Thus some fate or other just comes away
and fulfills the desire of flying off.

In the heated puzzle of the bellows
even an iron-life just begins to melt
like the ice at the hands of the blacksmith;
life has known it spending a whole life
melting, rotting and being penniless
in the very bazaar of life and world.
And an investment can only be made
with such a life in being of others
whose bodies consume the higher interest
at the compound rate from bones and marrows
of that life and accumulate fat-rolls.

                       

The Myth of Hermaphrodite

You abuse me and taunt me
and give a wry smile
calling me ‘eunuch’.
For you don’t know
who I am and why I am so.
Listen then! ‘When I was alone
on earth thousands of years ago
I did not like it.
But I had no partner to love
and procreate like yours;
but I had both organs as the self-contained
that I rubbed one winter night
like an earth-worm to feel warm.
Later someday when the earth completed
its rotation once,
I felt my belly growing up
and one day felt labor,
and with the big bang
my little twins came out on earth.
It went on and on
for some generations.
Again by chance
kids as you deformed are
began to be born;
later this stream went on
which you boast of now.
So you say who is to be taunted and laughed at.
Whatever I have in use or not
Is the vestige of what I had.’

                       


Death has No Caste

Death has no caste; life has many—
lofty and low levels, colours,
various tastes, various smells, alleys,
nooks and corners— and the roads rough.
He who walks along the darkness
where lies his crime? All the desires
of the deprived run out serving.
The moon enriched with the riches
of others are fully joyous—
the amazed stars only whisper.
The trees that bear flowers are not
theirs if they are not mature.
So death has no caste— whether it’s
premature or immature death,
whether mature or watery—
everywhere is denial, assault—
everything is forms, vogues of life.
Death is a one-coloured, lonely,
friendless tool, a host in oneself.
All the colours, all the flavours,
all grand arrangements of the life
are blasé to it in a flash;
yet festive mood of work of life
does never come to a finish.
Here it wins, here lies its singing;
So death seems to be gray and pale
to the all-around forms of life.
           



Checkmate

When the illusive gap is plugged up between life and death,
in the sudden drop of the scenes— all powerful preparedness
disappears forever— as if throwing the cold water
in the blazing bonfire.
This truth of the moment still remains so much true as if
all the grand arrangements of life were overwhelmed to it
in a second.
Yet bonfire burns— it longs for burning everlastingly
by making all the timber-kindling-straw-diesel its fuel,
even by sacrificing itself in the other fire
or else by swallowing up the other fire fearfully.
It longs to burn many more days than the star in the sky
burning for million years more than other luminaries.
But alas! Behind the curtain in unpromising time
who seems to stand at ease and write graffiti on the wall
of some life or other, and as per the direction wall
which compliant slaves equip themselves to obey it always
with the cold water in their hands? Which god orders the pawns
of all lives in the chessboard of the world and still goes on
playing the game as he wishes? And he makes the ill rule
his rule for some reason or other, and rolls down laughing
for all the helpless checkmates of the world!


The Cry of Dove-hearts

Our dove-heart is extinct like dudhraj birds
where lives now a sense of hybridism.
It is, as it were, the cultivation
of eucalyptus in the pitraj land.
Humanity is today a species
that comes to be endangered like doel birds
and is found only in pages of books
and painted as a picture here and there
or a coin of Goura, Pundra period
or else that of the Ashoka regime
lost forever or lain in ceaseless sleep
in some museum— so it bears no value
of its own except historical one.

Whether it’s humanity or dove-heart,
both now seem a pillar-less asylum
of the invalid to power and money,
a pretension to the heavy monsoon
in the blistered land of the worthless mind.
Those who’re crushed in the sick race of the world
those who live in their huts in seclusion
those whose hearts are burdened with refined sense
those whose fathomless mind is a river
where endless streams of perturbed pains still flow,
stand as a shelter in their hearts alone
for them without any prop or support
like a single star gazing from afar,
like a statue without life or ideals.



One Day This Life

One day this life will merge into air silently
in the sudden solar eclipse
in the invitation of twilight
in the wave-less ocean, in the still desert.

No noise will that time sound
melodious or tedious.
No pain will burn the heart;
no love will wet the mind.

Perhaps a tear or two will shed
to ruminate the memory of that life
in a solitary corner of the earth
or the tears will dry in the eyes.

In an idle noon on the sands of the Jamuna
perhaps some memory-vorous, lone swan
will be engrossed in feasting on his memories
or hear some saddened music
in the voice of the dove, in the first pain of Papia.

The lost life still seems to be an absconding prisoner
that borrowed the invaluable life from an unknown usurper.
So before paying it back,
it is now the accused to be hanged.



The Wild Duck in Pain

The wild duck in pain flaps his wings in deep water
and the wind comes to kiss his mild body nonstop
when he bobs up with soft catkin scents on his beaks.
Yet the eyes of the hunter just aim at his breast
for which drunkenness? Deep darkness descends around,
the egrets fly away responding to their flock;
the magical dew fallen on the sands beckons
being at the distance of a life. At that time
the pain-puzzled deaf wild duck fumbles only for
the resonance of his own wings desperately.
It goes in vain— the cry of the night goes in vain
to the ears of the hunter; in the breeze of dawn
perhaps the fragrance of his life will drift no more.
And in the daylight there will not any more flash
all pain and joy of the feathers splashing water.
A memory of unknown time seems to come at last
and asks: where and when have you seen such a darkness?
All the dark nights of the earth gathered together
seem nothing to it— no darkness since earth was born.
The world’s pain seems to touch the body of last pain
in defeat and is floored at its feet pale-faced.
At the night’s first hour, the hunter pulls his trigger;
then the heat of the body of the duck just hides
wholly in the womb of the night in a moment
and all his pain falls along with his last feather.



Women

Women! You are still ornaments
decking only the rooms, door-sills
and beds, wearing blisters in hands
and dreams falling flat on your face
within the boundary of henna
before you have flown far away.
You have measured life with tiaras.
You couldn’t be so much of humans
as of women— remained women.
You’ve mixed your desires with others’,
in the confined room of the males.
Why didn’t you give up the nature
of the gold creepers in the pride
of self-reliance, identity?
You are still moving like a top
around the circle made by men
in its beckoning of pleasure.
You couldn’t be the tools in your life
to change yourselves in society;
you became the tools for others.
But you need not be any arms,
women! Just be your tools to change
yourselves, to go beyond yourselves.
One or two of you have done this,
kissed the peak of the Himalayas,
touched the summits of some others.
But this can alter nothing much.
Change yourselves this time to change all
so that in the grief of rulers
Ashoka faints at Kalinga,
so that with one blow of your breath
the venomous snakes tuck their life
into the holes and ever flee,
so that the primeval woman
can regain her vanished glory
with your efforts and your movement.
Be a pillar for your leaning,
you also have limbs like the males.
As darkness cannot bear the light,
you cannot bear self-reliance too.
Yet just draw the light in darkness—
be lighted just once, there won’t be
darkness that you’ve thought as your fate.
But you should know— like the conquered
you have no glowing history too.
So you make your history this time.
To arouse you, came Rokeya,
Sufia Kamal, that Khona,
Nawab Faizunnessa, also
Jahanara Imam this time
in nooks and corners of Bangla.
But you did not respond to them.
You are still tied to the shackles
of intoxication of yours.
You could not see any beauty
of the earth, not enquire after
any stars; so many events
are happening every moment
that do not echo in your hearts
in jingled tunes, tempos and beats.
You just made a ruined nest in pain
with a whole life squandering.



Reviving the Ruined

O Rain! You drenched much the dry land,
fields, meadows, forests, wilderness
overflowed the ponds, the rivers,
the canals, the fens, the wetlands
for thousand years— sometimes freely
sometimes on the pretext of freaks.
Drench my heart this time as you did
my forefathers to senseless joy,
gave leisure to compose sad songs
for the absence of their dear ones,
to wash away their deep sorrow
to sing in their stentorian voice
Bhatiali, Bhawaiya music
and so many great rainy songs
while riding the raft pushed in floods
or at great adda of full noon.
Drench my mind-desert just like this,
I don’t care about my body.
If you come down, I’ll get— leisure,
freedom from urban rattling tiredness,
fertile laziness. I’ll glean beauties
of life only. My heart has dried
much earlier— but lived as pieces
on a tattered sheet of the world.
Drench me in the sodden leisure.
If my body lives just like this,
my heart will be very short-lived.
And dead heart has nothing to give;
it pulls and drags the rest of life.



Those who can Give Much More

Those who can give much more on earth,
lay down aprons of joy in peace,
give an address in the pure heart
of Nidhubon to be drunk up,
reap harvests in the arid land
with the agro-facts like Khona’s,
be successful well like the sun
in the gracious triumph of last tricks of war
with wailings in the breast of millions
and with the last droplet of their own blood
in hand as a single light in darkness;
why do they sit quietly in a distance
too far beyond the scenes of the known world?
Why do they hide themselves in a dense pique?
And those who only think that pique
to be a feigning of wisdom
clothed in inability,
just don’t know how the present scenes
that rouse pain in the future womb
also play tunes on strings of time—
in the silence of noonday hour,
in the tone of jingling anklets;
burning in pain from side to side at night,
at all the work, at the hearts of the past
around the marrows with the bones crackling
they just burn and burn and make a cinder.



In Quest of Wild Happiness

At the end of the nightlong war comes a shrivelling dawn
shouldering merely a drop of happiness, her image
sitting tight in the ravaged field from far to much farther—
too far— to the hundred more fields; her whole body remains
a thirsty mouth like a dry leaf. A whole cubic heart of pain
is born just as seeds of pomegranate are stored in a whole.
The rest of the day across the grassy field when the sky
is more impudent with someone else, the bad company
of love forfeits the solitude of grass. Then no tapping
of fingers falls on her lips like the second phase of the moon;
On her mahua eyelids shower no kisses in crazy glee.
This time her eyes picture the relief hanging in the tie
of a noose after so many years; and then someone seems
to inaugurate the workshop of sadness in the town
of heart. At that time a fire-beaked bird comes with love of hell,
and without taking her on his wings nips her entire heart
and throws in the parched crematorium unseen so far
as if to burn and enrich the ash-ground for the last time.
But how many days he’s peeped into the yard of her mind!
How much he’s been besotted with the drained delight in her!
How often he has left her alone with the mere fragrance
of shefali after making them fall in the morning
in quest of wild happiness in the missing, cruel forests!


On the Edge of Thirty-Four Years

On the edge of thirty-four years
breaking the trance of the hermit,
you still came to the lap of the refused forest.
You shed suddenly on the awakened mind
left to rot like the fibre of jute giving up its body
to the lap of the silent forest on the edge of thirty-four years.
In the hope of fibre, the heart remained cut off from its breast.
For its stink so many people have often vituperated
secretly or openly.
As you came today at last, O my poesy!
Why so hurry? As long as the breath flies the dust,
stay here to trace the destination of the unseen beauty
in various ways to the earth in the eyes of the hermit.
The world needs you so much today
to light all the ravaged, ragged hearts
in bright sparks amid all grayness.
As you were not here, all the animals still lived
as beasts on the breast of earth.
If they happen to meet any man,
they don’t think they can see a man of the earth,
who is not easily available— so easily
even after ransacking anywhere in the universe.
They are blessed only with eating like animals
dipping their noses in the grassy happiness.
As you came, just stay for at least thirty-four years
on the edge of thirty-four years—
by the time you will make the earth rotate thirty-four times.



Those who have Only Clung around the Craze

Those who have only clung around the craze,
dressed smartly in the fashionable clothes
but afforded not a single moment
to see with their own eyes pains of the age,
have perhaps got the things in profusion
but could not enjoy the endless at all.
So their soulless life lives like the jiol post.
Communion with the endless doesn’t stir them.
With the peel-deep happiness and pleasure
of the unclothed civilization
they have only been enchanted lifelong—
those who are peel-vorous, pleasure-thirsty.
But the peel envelops only the seed  
of the real and enraptured happiness.  
The pith of civilization doesn’t lie
outside; it lies in the meditation,
in farming the deep field of life and world.
So those who have had a taste of the pith
have the only right to rule for ages
those who have suffered from fads and crazes
and have been affected with delirium.
Yet the delirious are lords in fashion
toeing the line and ruling pith-eaters.
The peel rules the world; the pith does not rule.
And so its broad breast is not embraced yet
by the so far absconding happiness.



           
In the Glamorous Infatuation with the Estuary

O dear! Let the savings made so far for love
not go in vain by any means this time.
I agree to invest all my capital;
so let not this time go in vain.
Let all my lifespan be over for the moment
if it is over anyhow.
Yet let not such time go in vain, my dear!
I also agree to lose to your love.
Let one say whatever they want to in the name of love.
I just know
that love means losing to the person of love
or losing to someone else for him or her.
So love in loss shines brightly,
if it doesn’t, it’s for the pride of winning.
You just know, dear,
all the elixir of life is stored in the estuary of love
flowing down and oozing from the canal of time
in the glamorous infatuation,
in the burning secrecy
across the body of time.
Let’s revel there in our diving and swimming
and regain the lost time of life with the propitious time.
It’s not the time to be as stupid as apathetic.
Why are your lips still filled up with disgust
to quench the parched thirst?





When You or the World

When you or the world keeps turning down me,
When life denies my happiness deadly,
I enjoy my melancholy with songs
and wallow in silent sorrow that longs
to suck all my pains like sponge,
to take me to the sea of trance to plunge
and lift me from the known to the unknown.
My sorrow then melts into tune alone
with no form like an Indian classic
and makes me a raga that flies birdlike.
I have a musical flight in the sky
sometimes hovering, sometimes soaring high;
no pangs or sorrow can touch me that time
I am above everything in my prime.
O Music! Let me live like this for life
whether it is sorrow, sadness or strife.
For nothing can melt my melancholy
as you do boozily, fiercely, freshly.
                       



Awakenings in the Dark World

The aged moon has grabbed so many days of the fireflies
and making their hearts sink stayed so far for many days.
The fireflies have still given light in the deep darkness.
It has never known after all these days there is a day  
that only ignites all the time the rest of the days
engrossed like a dream and in the naked eyes like imagination.
The dance of the dazzling light drifts in the eyes of dreamers,
in the wings of the fireflies.
Before dreaming, one has to burn;
the dreams before burning are never dreams.
Burning only, the dreams talk in melodious music
to man living on earth.
Before it, the aged moon whets our days
on the stones like those of fireflies—
inserts a sword across the throat of all arrangements
in uselessness if necessary in the name of sacrifice.
The need of today sheds all the dreams tomorrow.
So the fireflies shine today in the hopes and dreams of tomorrow
and the rats or mice live only today exhausting all their power.
No day of tomorrow ever heralds the beginning of their day;
it just disappears forever in the abyss of the night.


Such a Time it is Now

Such a time it is now—
the horse licks the pubic hair of the dog;
the dog licks the horse-shoe
and all the rest are just a herd of sheep.

A fox lets out a yelp;
the rest of them form groups
and sing in the same tune—
how far are all the hens?

Crows give a caw—
empty Dhaka;
let’s pull with beaks
all stupid beasts.

In the kingdom of flies and ticks,
all the insects, creepy-crawlies
just reign over in insolence.
And humans are so astonished.

Leeches have come back too.
But it’s not any fun.
Out of water they’ve come
to the dry land of man
and started sucking blood.



Yet the Stars Fall

Stars fall one by one and leave the ashes of pain
in the breast of the dust-covered earth.
They had been shining for millions of years
and spreading light in the universe;
those eyes where that blue light has not reached yet
will never perceive the pain.
The stars have still given light
making themselves impoverished and destitute
for the eyes of the dumb and the dull.
Such stars still fall.

Yet one day like the sun
the stars were eclipsed
in the black shadow of the moon;
men on earth inculcated this only
into their mind with great pleasure,
with the rhythm of perfidy
and let the stigma be known
here and there, this corner and that corner.
And forgot all the loans,
all the pleasure borrowed in their living from the stars.
Such ungrateful men too are there!



It’s Well That I Still Live

Don’t ask me how I am.
It’s well that I still live.
Amid the dusty world, in quest of great beauty
I still go on endless;
it is well.
In the scratches of thorns across the whole body
pain raises my family well.
It’s well that I still live.

Don’t ask me how I am.
Endless wailings each day disconcert all my heart—
peace does remain missing.
Yet it’s well that I live.
Now each and every room is full of restrictions;
there’s no trace of freedom.
It’s well that with this I still live.

Don’t ask me how I am.
Death rules every moment of life
and who knows when it will issue decree!
It’s well that I still live.
On the way of moving I just have a narrow escape,
and then remains only its trace.
It’s well that I still live.

Don’t ask me how I am.
Ram, Rahim, John now live in my memory alone;
they’ve gone to the unknown land.
Yet it’s well that I live.
The few closer people I had live now so far;
my mind bears pangs and pain.
Yet it’s well that I live.

Yet let them live some more time who still do
Yet let Time play some more music on their heart-strings.
Let some more happiness and sorrow make them swing;
let some more pleasure and pain stir waves in them, O forgetful!
There are so many wailings, so many denials, so many pains;
yet let there be some more talks for some more time
and tales of life be written with some more colours of dreams.
Let’s creep up as we wish for some more time, O light-creepers!



The Plates of Lotus Leaves

A couple of plates of lotus leaves are gazing
as if they were sparks of sunlight full of fire
and the white cloud lies in wait all alone
fixing its bright look on the plates
floating alone in a pond at noon
and stretching their body on deep blue water
by borrowing the cunningness of bright sunlight
some fading light at one side hides the rest of the lotus plates
then whose infatuation with delicacies calls for such an invitation?
The clouds seem to be different assassins nowadays
or play too much the game of hide and seek
or else for whom this decking shines
why is he still away, beyond the scene?


Just to Extend Myself

How much more to diminish my life
your hearts will be pleased?
Don’t diminish me any more!
You know diminution causes explosion.
Though I’m like grass,
I’ve desires boundless and ceaseless;
my back is not this time
within the diminution limit—
this time my heart is pasted
to the wall like a poster.
Just let me be free this time like a rocket.
Don’t confine me to your gravity any more.
Don’t think that my life is made up of your dreams and desires
or I’m your obedient slave as per your desire,
as I’ve taken shelter in the corner of your house
like a house-sparrow.

Something seems not to match somewhere!
Yet as a batsman keeps waiting—
sometimes lifelong to match between the bat and the ball;
as the poet keeps waiting
to write his best poem;
as the artist to make his masterpiece;
I’ve clung to waiting
like the persistent bite of an ant
just to extend myself.

                  


The Year before Being the Black Hole

The year before being the black hole,
before burning for the last time
the star Arcturus sought the last refuge
in some heart of the female lovers on earth
in entire reliance.
That unrequited love still moves round the universe
in the utterance of dissatisfaction.
Since then all the hearts of the earth
have still been seeking refuge in other hearts
with the company of dissatisfaction forever.
That sense, that wailing build a nest
in all hearty emotions anonymously.
Then so many ages have gone by
under the rule of the anonymous insect.
Many years later Aryabhatta first named it ‘0’
which still lies asleep in our hearts.
And whenever it gets a scope,
it just leaps and bounds in season and out of season
like some newly-born cub of a ferocious animal,
and burns and gnaws at our torn, timid hearts
in the cremation ground of nightmares.



The Senses are Engaged Only in Sense-luxury
         
          Everyday light shines somewhere or other,
          but we don’t have any eyesight
          to see the light.
          Everyday flowers bloom somewhere or other
          but we don’t have any sense of smell
          to smell them.
          Every night the stars talk much about life,
          but we don’t have time enough
          to listen to them.
          Every night, every morning
how much music is sung by some voice or other!
But our heart is not pleased with it,
though many materials are there to be pleased.
Everyday some new scene or other is created,
but it lies nearly invisible to us.
Everyday how many events beyond senses
happen escaping our senses!
But we don’t have any super senses either
to perceive them.
Our senses are engaged only in sense-luxury
throughout all the time of our life;
so great life turns its back on us in a fit of pique.
In the pungency of artificial light,
the light of great life seems to us much nasty.
         


The Loving Male
         
Though you say, ‘Dunno’
          you leave in that phrase
          your intoxicating fragrance;
          I can’t but be mad,
          I can’t but be inebriated,
          as I am a loving male.
          Only a loving male can be mad
          or inebriated
          while others can’t understand its meaning.
          And those who understand
          but are not lovers,
          are deceivers, are stone-hearted.

          Though you say, ‘No’
          you smear carefully
          over the word
          the forbidden invitation.
          I can’t but respond
          as I am a loving male.
          I hear in it
          the call of churning the sea up.
          Though the sharks are there,
          no lover treads the invitation
          under his feet.
          And those who do or dread to churn up
          are not the loving males, but other males.
           
                       

The Life of Leaves

In the spring gone by
when all the leaves of this forest
had just been born,
the sunlight has since been kissing them ceaselessly.
Then summer, the rainy season,
autumn---
have come and gone.
Nobody but the sunlight has touched them
so intimately,
though the rain has come and soaked them sometimes
like a deserting lover,
though the autumn has come and covered them
with a coverlet like a querulous neighbor,
though the wind has come and made them sway
like a juvenile friend.
Hereafter, past their childhood, adolescence, youth
when they have now reached the doorway of old age,
still the sun alone meets them
and caresses them out of immense love
just like a life-partner.
Now they are fallen leaves;
yet the sun comes to dry away their pangs
so that they can reach the final destination
and can lie in peace hereafter.



An Untimely Invitation

As many times the waves have lapped
over the two banks of the river
as many times the two banks have unified
to steer the boat to the quay of your love
as you have stayed at the distant bank
and now when there is no high tide
no upstream flow for navigation
is it the time for you
to say— I love you— in such a way
to cross the dead river
to beseech in such a loving way
to walk hand in hand
we can’t revive the lost love
in our eyes
though you and I long to
now time doesn’t any more
time chains love over again
with which none has to do anything
I just go on my way and you on yours
many loves end in such a stab of pity
on the ramshackle fiddle
the tune of pain plays
that time wailings alone overflow
this and that bank of the dead river



When the Moon Swings in the Lap of the Night

When the moon swings in the lap of the night,
when the water of the river is drunk,
when the rain showers just for creation
in the secluded room of confinement,
when the sun keeps its hostile light busy elsewhere,
when the scavengers sleep in the silent nests,
why are you still far away- millions of miles away?
Who knows what you do alone in the timid steps?
But then I burn at heart alone in the Nidhubon.


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